With 30+ faculty, a dozen research centers and projects, and a culture of collaboration, we continue to invent new ways to do humanities research, creative-critical work, and public-facing projects on a beautiful campus between the Pacific Ocean and the Santa Ynez mountains.
Faculty Bookshelf
Chinese Whispers examines multiple contact zones between the Anglophone and Sinophone worlds, investigating how poetry both enables and complicates the transpacific production of meaning.
In this new book, the noted critic and best-selling author Yunte Huang explores the dynamics of poetry and poetics in the age of globalization, particularly questions of translatability, universality, and risk in the transpacific context.
The inscriptive . . . takes shape within the context of a heightened awareness of the intensified generation and circulation of language across media environments by human and nonhuman agents alike…
In Inventing William of Norwich Heather Blurton resituates Thomas’s account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints’ lives and historiography, as well as the emergence of vernacular romance…She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism.
In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes “epidemic media” to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates
The Critics and the Prioress responds to a critical stalemate between the demands of ethics and the entailments of methodology. The book addresses key moments in criticism of the Prioress’s Tale—particularly those that stage an encounter between historicism and ethics—in order to interrogate these critical impasses while suggesting new modes for future encounters. It is an effort to identify, engage, and reframe some significant—and perennially repeated—arguments staked out in this criticism, such as the roles of gender, aesthetics, source studies, and the appropriate relationship between ethics and historicism.
2016
In the fall of 2013, we asked ourselves what we’d learn if we made a broadside ballad from the ground up; The Making of a Broadside Ballad provides our answers to that question. Taking cues ...
Read The Making of a Broadside Ballad (Internet Archive link).
Research Project
Recent & Upcoming Courses
ENGL 105A
Shakespeare, Poems and Earlier PlaysInstructor: Nowicki, Shaun
Quarter: Spring 2024
ENGL 265TC
Racial Ecologies of the Transpacific
Asian American and Pacific Islander Literatures of the EnvironmentInstructor: Amin-Hong, Heidi
Quarter: Fall 2023